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VITUS SHELL

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Pay Day, No Way (2004)
Mixed Media On Canvas
11 x 14
$450

 

Henry The Sharecropper (2004)
Mixed Media On Canvas
12 x 12
SOLD

 

Ed The Foreman (2004)
Mixed Media On Canvas
12 x 12
SOLD

 

John The Blacksmith (2004)
Mixed Media On Canvas
12 x 12
SOLD

 

Leroy, Thanks (2004)
Mixed Media On Canvas
8 x 10
SOLD

 

End of Day, No Play (2004)
Mixed Media On Canvas
16 x 20
$700

 

Dat Lady May (2004)
Mixed Media On Canvas
24 x 30
$1000

 

Chaotic Worlds (2004)
Mixed Media On Paper
22 x 32
SOLD

 

Lawd (2004)
Mixed Media On Paper
22 x 22
$400

 

Promise Land (2004)
Mixed Media On Paper
22 x 22
SOLD

 

The House Dat I Built (2004)
Mixed Media On Paper
22 x 22
SOLD

 

Finally (2004)
Mixed Media On Paper
22 x 22
$400


Vitus Shell Biography

My artwork beckons the viewer to embrace the light that can exist in darkness. African-American history is one marred by pain and struggle that is too often forgotten and repressed. For thousands of years African-American griots have orally passed down stories so that future generations can know their history. As an artist, I consider myself a visual griot. I illustrate the stories of people and places that have significantly impacted African-American life today. My images pay homage to slaves, sharecroppers, and countless others whose work was too often unappreciated during their time. I seek to glorify their existence, presenting them as strong, proud, and empowered, while illuminating their plight.

There are several characteristics indicative of my work. The human images I present are not portrayed with eyes, but have facial features that melt into one another using various shades of browns and blacks to represent the diversity of African-Americans. The omission of eyes is related to the old adage that states that the eyes are the windows to the soul. In a sense, the people I portray are hiding the pain and frustration they have seen.

The black imagery I use comes from my imagination, photographs, and historical archives. When people view my artwork, it evokes in them a sense of kinship and self-esteem because they see people that are familiar to them, either as family members or themselves.

In addition to celebrating the life and work of African-American people, I also pay homage to historically black towns that for various reasons, such as lack of funds or unfit agricultural climates, no longer exist.
The main medium that I use is acrylic paint, but I often use other elements to give my paintings depth and texture. Some pieces may have paper collaged onto them, pennies, stencil letters, or other items that give the messages I want to convey a stronger effect.
Overall, my artwork is much like a blues song, or the spirituals that were sung by the very people my work commemorates. It is dark, soulful, melancholy, and stirring. My hope is that the viewer is transported to another time and another place. And even while rocking in the shadows of the past, can recognize the melody of hope and healing for the present and the future.

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