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JACKSON-COLLINS

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Collins: Page 1 - Page 2

Gray Tunes (2002)
Acrylic on Paper
12 x 16
$1050

 

Piano Dreams (2002)
Acrylic on Paper
12 x 16
$1050

 

Robert Jackson (2004)
Acrylic on Canvas
40 x 30
$5000

 

Self 2 (2002)
Acrylic on Paper
16 x 12
SOLD

 

Take Five (2004)
Acrylic on Canvas
36 x 24
$5000

 

His Eyes (1999)
Acrylic on Paper
16 x 12
SOLD

 

In (2001)
Acrylic on Paper
24 x 18
SOLD

 

Keys In Hand (2002)
Acrylic on Paper
16 x 12
SOLD

 

Under The Sun (2002)
Acrylic on Paper
48 x 36
SOLD

 

The Line (2001-2003)
Acrylic on Paper
9 x 13
SOLD

 

Victoria's Secret (2002)
Acrylic on Paper
36 x 48
$6000

Collins: Page 1 - Page 2


Jackson-Collins Biography

“I believe who I am as a person is who I am as an artist. Therefore, my direction in life is not to become rich and famous as an artist. I would like to be known first and remembered later as a forthright person that worked really hard to become the best human being he could become.”

The decision to leave his hometown of Canton, Mississippi at 16 to pursue a career as a conceptual artist in Venice, California came with many bumps for Jackson-Collins. He tells his story in stark terms because he believes that his honesty helps his viewer to better understand who he is and why he paints the way he does.

His early days in California were spent painting on the streets and selling his small paintings to the eclectic crowd that thronged the famed Venice Beach boardwalk. His was often a precarious existence. The experiences of those ‘starving artist’ years gave him a lot to reflect on and to yearn for: things as basic as a warm bed, a place to call his own, stable relationships, family - themes that have found their way into his work. But being an artist was never a question of choice for this artist. It was the only path for him, and the displacement and struggles were all part of the landscape.

Raw, edgy, and bounding with ideas and emotions, Jackson-Collins’ work defies clear categorization. He has drawn from styles that include figurative, abstract expressionism and surrealism, but has evolved a style all his own, characterized by a highly charged brushstroke, daring distortions of the human form, unorthodox use of color - often monochrome hues -, and a system of personal symbolism. His work, seemingly chaotic at times, reflects, on a deeper level, a search for balance, calm, truth and honesty.

Jackson-Collins has moved from street artist to gallery artist with exhibitions in Spain, Germany, England, Paris and the U.S. Last year he had a major gallery exhibition of his series on American symbols, particularly the flag, in Philadelphia.

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